F-93S
2021 Limited Edition
This model is no exception in terms of fully representing the sound of hand made Morris guitars produced in Japan.
The simple, timeless, and rustic design gives you a sense of comfort and intimacy as this guitar matches any occasion.
The Silk-flat finish, which is an ultra-thin paint, presents a calm appearance while ensuring protection against the guitar. Fingerprints and other stains on the painted surface are less noticeable. The finish makes it less stressful during transport and maintenance.
We have adopted the original design by tapering the shape of the head, which reduces unnecessary friction on the nut, thus improving tuning stability.
Lightweight open back GOTOH® peg is used to reduce overall weight. It also enhances the quality of lyric sound and rich harmonic tone.
Relatively small orchestra body is easy to hold and is easy to handle even for beginners and women.
From built-in pickup, you can connect it to an acoustic guitar amp or preamp for immediate use on stage.
Despite its simple design, it is a guitar that offers quality that will satisfy you in various situations.
Price: Open
Release Date: March 2021 (Production of F-93S is limited to 12 units)
Specifications

Head Design
We have adopted the original design by tapering the shape of the head, which reduces unnecessary friction on the nut. The brand logo made out of silver-lipped pearl oyster adds a premium feel.

Machine Head
Open back type lightweight GOTOH® peg is adopted. The ivory-like button also matches the overall design, making it simple but leaving a calm image.

Body Design
By avoiding excessive decoration and adopting a simple design, we kept the price down while seeking high-quality sound. With all-solid wood panels, this guitar is carefully processed in Morris guitar factory located in Matsumoto city, Nagano Prefecture. Silk-flat finish which is ultra-thin paint is adopted. This trims weight and generates responsive sound while ensuring protection.

Nut, Bridge Saddle & Pins
Graph Tech's TUSQ is used for the nut and saddle. TUSQ is known for its reliability and used by many guitar manufacturers around the world. It brings out a clear and rich acoustic sound with minimal loss.

Rosetta Design
Simply consisting of rosewood and maple material, creating more acoustic feel to the guitar.

Top, Side & Back
Engelmann spruce with a bright sound is used for the top, and African mahogany with an ample sound is used for the sides and back. The all-solid board provides a rich and responsive sound.

Fingerboard
Rosewood which is now a rare material is used. Rosewood has been used in many guitars for a long time and is a reliable wood in terms of sound and durability. The position mark is offset to the 6th string side, thus improving visibility and design.
Body Profile | Orchestra |
---|---|
Top | Solid Englemann Spruce |
Top Brace Pattern | X-brace |
Back | Solid African Mahogany |
Sides | Solid African Mahogany |
Back Brace Pattern | Ladder-brace |
Fingerboard | Rosewood |
Nut Width | 44mm |
Neck | Mahogany |
Head Inlay | None |
Tuners | GOTOH/SE700-M5 N |
Position Inlays | Dot Offset |
Scale Length | 630㎜ |
---|---|
Strings | Jim Dunlop/DAP1254 |
Nut | Graph Tech/TUSQ |
Saddle | Graph Tech/TUSQ |
Bridge Pins | Graph Tech/TUSQ |
Bridge | Rosewood |
Pick-up | Morris/CP-3 |
Control | None |
Finish | Silk Flat |
Color | Natural |
Case | BFG-1 Soft Case |
Dimensions

A : | Overall length | 988mm |
---|---|---|
B : | Length of body | 473mm |
C : | Maximum width across upper bout | 280mm |
D : | Maximum width across lower bout | 384mm |
E : | Depth of body, upper bout | 100mm |
F : | Depth of body, lower bout | 120mm |
G : | Minimum width between bout | 242mm |
Please note that all measurements are approximate and rounded tu the nearest half-centimatre.